Olympique Dramatique and tg STAN are giving shape to shared theatre dreams. The companies are tackling The Vast Domain, a 1911 tragic-comedy by the Austrian writer Arthur Schnitzler about the consequences of adultery in Vienna at the start of the 20th century. Relevance and acting enjoyment are guaranteed!
Are we just bystanders of ephemeral performances that wither away in the public space? What can art do, when it refuses the ethical purpose that government delegates its with, and stages disagreement that repoliticizes the public space? With a keynote lecture by Claire Bishop, author of the acclaimed book Artificial Hells: Participatory Art and the Politics of Spectatorship.
In MCBTH, director Guy Cassiers continues his ‘anatomy of power’. Macbeth is one of Shakespeare’s darkest plays. The intense interaction of word, image and music reveals the cruel poetry of the play.
The city is in constant movement, as passers-by involuntarily create duets, trios, choruses,... A person standing still in the moving city appears to be the main character of a short crossroad scene. In this project, Ariane Loze looks for a new continuity of the city through a montage technique that falls back on choreographic principles. Can editing be dance? And how does editing move?
During Working Title Platform (WTP) the public can see the results of Workspacebrussels’ residence work. WTP provides an overview of the work of these young artists and gives an insight into their work and thought processes. At the Kaaistudio's: Albert Quesada, Sara Manente, Ariane Loze and Davis Freeman.