BELGIAN PREMIERE

Doris Uhlich

Every Body Electric [medium]

dance

Thu 02.04.20

Warning: this show is cancelled to help contain the spread of the new coronavirus.

People with physical disabilities are often more associated with stationariness than with movement. In Every Body Electric, Doris Uhlich refutes this idea with vitality and vibrancy. What other possibilities open up when wheelchairs, prostheses and crutches are not perceived as obstacles but as powerful extensions of the body? You can expect a fascinating dialogue between the human and the mechanical in which very personal dance styles vary from explosive to gently poetic.

Benjamin Vandewalle

Studio Cité

dance installation

dance

Thu 23.04 - Fri 24.04.20

Warning: this show is cancelled to help contain the spread of the new coronavirus.

Studio Cité orients, directs, diverts and distorts your view of the world. Step inside a driving mirror cart by yourself, form a dancing circle with your fellow audience members, or stand on the side-lines watching how people with periscopic masks try to find their way. Benjamin Vandewalle organizes an artistic funfair that offers unexpected experiences on Brussels’ squares.

Claire Croizé & Etienne Guilloteau

Pole Reports from Space

dance

Fri 24.04 - Sat 25.04.20

Warning: this show is cancelled to help contain the spread of the new coronavirus.

Claire Croizé and Etienne Guilloteau join two Polish dancers to explore the music of the Polish Radio Experimental Studio. Futurism and utopia, old school Soviet science fiction, activism and progressive thinking inspired them to create an exciting choreography that plays with the presence and absence of the body in electronic music.

Jonathan Burrows

Rewriting

dance lecture performance

dance

Fri 24.04 - Sat 25.04.20

Warning: this show is cancelled to help contain the spread of the new coronavirus.

Of what does the practice of choreographing consist? In Rewriting, Jonathan Burrows attempts – by turns hesitantly and exuberantly – to map out the unknown territory known as choreography. In contrast to the dominant model, which assumes that a successful production is the result of a fixed, predetermined idea, Burrows proposes a practice of a slow, coincidental accumulation of meanings.