If we think of films made from minority situations and perspectives as prototypes of possible worlds, we could then ask ourselves how to live and practice these worlds. That is, how to depart from the economy of mere metaphor in order to move from art to an emancipated way of living, a place without an owner. By going through one of his recent texts, Towards a despeaking cinema (a Caribbean hypothesis), Olivier Marboeuf would like to try to imagine the potentialities of minority cinema considered as a practice of collective hallucination that invents one of these unnamable places through cacophony.
