Through the Back: Situating Vision between Moving Bodies seeks to articulate this critical potential in a series of essays that explores the work of experimental choreographers active throughout the noughties: Alexander Baervoets, Boris Charmatz, Meg Stuart, Benoît Lachambre, Vera Mantero, Philipp Gehmacher, Jennifer Lacey and Nadia Lauro, and deufert & plischke.