VIDEO: Radio Etoile #6 - On Revolutionary Theatre

In May 2018, Michiel Vandevelde is creating a new version of the legendary Paradise Now by The Living Theater, with younger people aged between 12 and 18 (together with fABULEUS). Richard Schechner saw the production in 1968. What is the situation today for theatre that aims to unleash a revolution and explores new forms of togetherness? Are the artistic strategies of the 1960s still relevant or useful? What are the similarities and differences between critiques of the system in 1968 and those of the early 21st century?

How much has the world changed since 1977? The demand for a new political 'account' to replace the neo-liberal 'accounting' is growing ever louder. The search for for a star to show us a new way is growing ever more urgent. RADIO ETOILE questions the power of artists and cultural centres in our current circumstances. Can they or should they lead the way? We've invited artists, thinkers, lecturers and journalists to reflect on this question in seven one-hour sessions.

Richard Schechner & Michiel Vandevelde (mod. Kristof Van Baarle)

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Tue 03.10 - Fri 06.10.17

How much has the world changed since 1977? The demand for a new political 'account' to replace the neo-liberal 'accounting' is growing ever louder. The search for for a star to show us a new way is growing ever more urgent. RADIO ETOILE questions the power of artists and cultural centres in our current circumstances. Can they or should they lead the way? We've invited artists, thinkers, lecturers and journalists to reflect on this question in seven one-hour sessions.

PARADISE NOW (Then & Now): On Revolutionary Theatre

Michiel Vandevelde in conversation with Richard Schechner (moderated by Kristof van Baarle)

PARADISE NOW (Then & Now):  On Revolutionary Theatre
PARADISE NOW (Then & Now):  On Revolutionary Theatre

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Thu 03.05.18

In October 2017 – in the framework of the 40th anniversary of Kaaitheater –  the founding father of performance studies Richard Schechner and choreographer, dancer and curator Michiel Vandevelde were invited to have a conversation about art, arts centres, and the world.