SAFE begins as a concert and then evolves into a sophisticated audio play. Based on Todd Haynes’ film Safe (1995) – in which a woman suffers increasingly intense allergic reactions – Ictus and Julie Pfleiderer sketch a picture of contemporary hypersensitivity. Join an immersive journey that will stimulate all your senses!
Ivo Dimchev is presenting a live and danced version of his first studio album, Sculptures. His sense of musicality and exceptional voice have always been central to his performances, but over the last two years he has definitively chosen the path of music. His breath-taking voice brings the dark poetry of his texts to the fore and ensures a terrifying and deeply moving experience.
In Supersonic Flora, Walter Hus is returning to a number of pivotal pieces from his career and adapting them into brand-new compositions for solo piano. The pieces range from beautiful, radical, and minimalist compositions from the 1980s to more melodious works from the 1990s and a recent jazzy piece that he composed in memory of a friend who died.
For this ambitious group choreography, Daniel Linehan is delving into Stravinsky’s Le Sacre du Printemps. He has opted to stage the beautiful version for two pianos, which will be performed live by Jean-Luc Plouvier (from Ictus) and Alain Franco. You will be seated near the thirteen dancers and the pianists – a proximity that results in a collective shared energy.
Mantra by Karlheinz Stockhausen is one of the most renowned cult works of 20th-century classical music. The work is an expanding sound universe, a cosmic dance to a primordial melody. Andreas Grau and Götz Schumacher are perfectly placed to interpret Mantra. The musical soulmates have had over 20 years’ practice of this hypnotic masterpiece.
What would happen if we were to abandon verticality after centuries of walking upright? This question is the starting point of Laurent Chétouane’s new creation. Two male and one female dancer search for new equilibriums in a disjointed setting. A violinist accompanies them live onstage with Bach’s Partita for Violin no. 1 in B-minor.
Starting with rituals and celebrations – from the archaic to the contemporary – Gisèle Vienne brings a group of 15 youngsters together who dance to a DJ set by Peter Rehberg. Contrary to the discourse that labels all violence as barbaric, she looks for manifestations of violence that do play a valuable, positive role in society.
In this mini festival – conceived especially for the empty Kaaitheater hall – music resonates with a series of different disciplines. This time, they will start from the proposition that music is not just sound. Ictus is bringing together sound poetry, spoken word and modal music at the intersection of melody and rhythm.
Along with Sunn O))) co-founder Stephen O’Malley, Gisèle Vienne travelled to Java and Bali to immerse herself in the magical world of performative rituals. Their encounter with musician Wukir Suryadi, co-founder of Senyawa, revealed profound resonances. This evening showcases their shared venture through a common musical philosophy.
Meyoucycle sounds like ‘musical’ pronounced in a strange accent. Along with composer Chris Peck and four Ictus musicians, Bauer blends together all the ingredients for a musical, producing a completely new, hybrid genre. The piece is about you and me and everything in between. That’s right, a me-you cycle.
Five dancers and five musicians perform a polyphonic piece about death and saying goodbye. Nevertheless, there is also space for lightness. From the moment you are born, death is constantly approaching: life in freefall. By acknowledging death, Croizé and Guilloteau aim to celebrate life to the full.
Exactly one hundred years after the October Revolution in Russia, Eric Sleichim and BL!NDMAN [strings] are presenting a new sound score to the legendary film Arsenal by director Alexander Dovzhenko. Along with Eisenstein’s Battleship Potemkin, Arsenal is rightly considered to be one of the revolutionary masterpieces of Soviet cinema.
Jan Decorte is leaving the classics behind, but not the great truths and mysteries that they contain. In Jan Paternoster and Dries Van Dijck of Black Box Revelation – and all the uncompromising vehemence that they bring to the piece – Decorte and Sigrid Vinks have found their ideal musical partners in crime. The gentlemen created a brand-new soundtrack especially for Stand Down.
Along with unpractised singers, Myriam Van Imschoot and Willem de Wolf are exploring the rehearsal process of a choral production. The misses, repetitions and mistakes that occur in the process form the performance material of this production. Because people are at their most vulnerable when they can’t (yet) do what they most desire.
Can light be a compositional building block? The Liquid Room Series radically questions the classical concert model. The audience is free to move around among the various stages set up in the dismantled hall of the Kaaitheater. Immerse yourself in a pure experience of sound and light!
In their performances, author and artist Romy Rüegger and electronic music performer Deena Abdelwahed reflect on ways of personal entanglement with the world and its politics, including the interpretation of history as part of the present.
Maarten Seghers looks for a confrontation with the artists, musicians and dancers Fritz Welch, Simon Lenski, Nicolas Field and Mohamed Toukabri, for whom he wrote an invocatory song about the noisiness of comforting.
Charlemagne Palestine is unleashing his strumming technique on the Bösendorfer Imperial: a piano that covers eight complete octaves. His instrument looks like a sculpted altar made of cuddly toys. He elevates these to divine creatures or shamanistic totems that are always close by.
What would hell look like today? The 500th anniversary of the death of Hieronymus Bosch, made Vasco Mendonça, Kris Verdonck and Dimitri Verhulst think. They quickly arrived at the beaches of Lampedusa: a place where while tourists were sunbathing refugees were washed up on the beach. The false paradise of the resorts and the Boschian hell on earth seamlessly flow into each other.
Marc Vanrunxt creates a dance performance based on the work of the solitary Lucien Goethals, pioneer of Flemish electronic music. The result acts as a journey through time, towards what in the 1970s was still the music of the future, and which quite possibly still sounds like that now.
This brand new production directed by Ivo Van Hove is based on Leoš Janácek’s song cycle that goes by the same name. The result of Janácek’s inspired efforts is a mysterious, deeply emotional and psychological piece on identity, alienation, and an impossible love. Annelies Van Parys – one of the most acclaimed Belgian composers of our time – adds a fi tting contemporary reply.
Dancer and choreographer Fumiyo Ikeda takes you on a journey to the heart of Morton Feldman’s Piano and String Quartet. This 80-minute composition for piano and strings exudes an aura of tranquillity, in which ‘each is just as much an echo of the other’. Ikeda shares the stage with the soloists of Ictus, as though she herself were the sixth musician.
Inspired by the hymn Say No!, more than 30 choirs and ensembles from across the world have created their own song about conscientious objection and desertion. All the contributed images and sounds form the material for a video creation, intertwined with a live performance by a huge international choir.
Stef Kamil Carlens was inspired by folk art, rituals, beautiful creatures from European folklore traditions, and early twentiethcentury modern art. Enter into this wonderful world of dance, music, word, costumes, and masks!