Every week, a fabulously wealthy woman descends the marble steps of her penthouse, straight into the bubbling underbelly of the city. There she observes, fillets and memorises everything she sees. For the first time, Natali Broods plays solo at de KOE, in a documentary about a play that is about making a documentary. With a camera as an additional character and Brussels as an extra, the company stands with one leg on your doorstep and the other on stage.