Lie back and close your eyes. While enjoying a hand massage secluded from the outside world, close neighbours and complete strangers divulge their most intimate secrets. This travelling audio installation reveals compelling and moving new portraits from Molenbeek in Brussels to Slotermeer in Amsterdam. Learn how the universal search for happiness and security can be hampered by relentless reality.
During Matinee Kadee we organise free childcare in the form of a fun workshop for matinee performances on Sunday afternoons (4>12 years old). The little ones (up until 4 years old) have fun in the playroom.
Twenty years after her incredibly successful debut The God of Small Things Indian author Arundhati Roy is publishing a second novel: The Ministry of Utmost Happiness. Annelies Beck is now welcoming her to the Kaaitheather for an in-depth author’s interview.
History is written by winners. Including all the lies, chance encounters, and accidents de parcours. With this realization in mind, Jan Lauwers and Needcompany travel through time by way of the family trees of all the members. After an international tour – and being selected for the TheatreFestival 2016 – The blind poet is returning to the place where it premiered: the Kaaitheater.
Theatre director Thomas Bellinck thinks the time is ripe to scrutinize digital migration management. Can one simply outsource unease about social sorting? Discussions with border and data managers in the control rooms of Project Europe were the starting point of this documentary musical.
By way of introducing some themes raised in Thomas Bellinck’s performance “Simple as ABS #2”, political anthropologist Gregory Feldman will give a 1 hour-lecture based on his publication “We Are All Migrants: Political Action and the Ubiquitous Condition of Migrant-hood” (2015).
A philanthropist – one who still genuinely believes in progress – builds a ship. However much like a fable it may seem, Pieter De Buysser’s planetarium production was inspired by contemporary socio-political realities. Take a chance on this border exploration for nationalists, homeland research for cosmopolitans, and cosmology of a new worldview.
When Vincent Dunoyer began to create performances himself it struck him that dance industry professionals would always ask him the same thing. ‘Can you send us a DVD of the performance?’ In DVD DVD he creates a montage of personal and professional memories, like a lecture interspersed with video and dance. Both intimate and universal!
In Cinema Dialogue, Monika Gintersdorfer and Knut Klaßen critically examine the United Nations’ ostensibly apolitical Millennium Development Goals. They juxtapose the universalism of the UN programme with the local reality of urban development in Kinshasa between 2000 and the present day.
When you read, you make choices. You translate what you read into the language of your life. A book like Tolstoi’s Anna Karenina could also be the collection of lives it has changed, for better or for worse. In this first play Tiago Rodrigues writes for tg STAN, he convincingly builds a bridge between the actors of the Portuguese Teatro Nacional and those of STAN.
Philosopher Armen Avanessian and architect Markus Miessen discuss the possibilities of ‘xeno-architecture’. Can spatial practice – by embracing alienation – open up a larger space for the unknown? By turning toward ‘what could be’, could an architecture be built that deals with today’s overwhelming complexity and global unrest?
The Lunar Society, an 18th-century group of British industrialists, scientists, poets, and writers, used to convene at full moon to explore the ways in which science and art could serve society. You can now also take a seat at the LUNÄ table.
In this performance/cookery workshop, Feiko Beckers teaches you some cooking techniques using faulty instructions and impractical utensils. You can be sure that the result will be inedible, but in Feiko Beckers’ world, failure is always a joy!
You and a partner sit side by side in the reading room of Muntpunt. Via headphones and a notebook, a voice gives whispered instructions that guide you through a pile of books. A unique narrative thus unfolds for each duo. It is an intense and intimate hour-long experience – situated among studying students and reading library-users – that brings out the strange magic at the heart of reading.
Ant Hampton decided to step outside the building and beyond the comfort zone of an autonomous art practice, opting instead for an aim of real consquence via a clear demand: break your bubble. This performance-as-assignment for two, gently reveals itself as an urgent and vibrant challenge to audience, artist and art-centre.
Maarten Vanden Eynde and Alioum Moussa are building a two-part mobile structure, of which one side is the other’s opposite. During Performatik17 they set up shop at Place de la Monnaie, where you are invited to visit them – in pairs – for a discussion about dependence and independence.
Maarten Seghers looks for a confrontation with the artists, musicians and dancers Fritz Welch, Simon Lenski, Nicolas Field and Mohamed Toukabri, for whom he wrote an invocatory song about the noisiness of comforting.
In this lecture performance, Rabih Mroué and Hito Steyerl examine probability. Steyerl gets caught up in quantum superposition, while Mroué consults his father about mathematical calculations. They come across ‘zero probability’: a space in which everything is possible but nothing can be explained.
Ivo Dimchev is one name that cannot be missed from the Performatik programme: the exuberant performer has never missed a single edition. This time he sets up his first long durational performance at ZSenne artlab. For six days, he explores seven of his favorite creative activities. Pay Ivo a visit and witness his fourteen-hours performance laboratory.
Filmmaker Hito Steyerl and theatre director Rabih Mroué will engage in a conversation about their artistic cooperation. The common ground of their practices is the idea of storytelling as a way of exposing (political) fictions in society and bringing them back to the domain of art.
American dancer and choreographer Loïe Fuller was a pioneer of modern dance and theatre technique. This Salon XL brings together researchers and artists to unravel her multi-layered personality and to sketch her influence and legacy on contemporary performance artists, such as Ola Maciejewska and Trajal Harrell.
In her new solo – and anagram – oslo, Mette Edvardsen once again plays with language, time and space. She extends the concept of the solo into the entire theatre space, where thoughts, words, things and actions multiply.
Charlemagne Palestine is unleashing his strumming technique on the Bösendorfer Imperial: a piano that covers eight complete octaves. His instrument looks like a sculpted altar made of cuddly toys. He elevates these to divine creatures or shamanistic totems that are always close by.
Caspar Western Friedrich combines the narrative force of the Western with the dreamy longings of Romanticism. Drawing his inspiration from the lonesome cowboy and from the paintings and personality of Caspar David Friedrich, Philippe Quesne builds a studio of landscapes on stage.