Every age has its own wonders of the world. An idea of the impossible that gets built anyway, bigger and more impressive than anything that preceded it. In 7, Radouan Mriziga juxtaposes two benchmarks: the constructed world, built to impress, and the ultimate wonder of the world, the human body itself.
Brazilian choreographer Marcelo Evelin researches the physically deteriorating body. What might dance mean for tired, fragile and suffering bodies? This dance-as-pathology was inspired by butoh pioneer Hijikata Tatsumi. The dancers move in and out of themselves like a contagious virus: the portent of certain death, but only to reaffirm the power of life.
A sudden and uannounced event can change the colour of whatever went before. unannounced – a performance for six dancers – plays with the way your focus shifts when a sudden apparition suddenly changes your perspective. The creators zoom in on the deep dark shades of the black box to look beyond the surface of the here and now. The anticipation of what is to come echoes the afterglow of the past.
How do we envision the art spaces of tomorrow? How can we reshape these meeting places and laboratories for coexistence? The artists of Damaged Goods set up camp in a former factory in Molenbeek – housing the Decoratelier of scenographer Jozef Wouters – to formulate some physical answers to these questions.
In 2005, Anne Teresa De Keersmaeker, along with Salva Sanchis, created a quartet set to John Coltrane’s jazz album A Love Supreme. Improvisation and composition interweave until they melt together. Join a new cast of young performers, in giving yourself over to Coltrane’s spiritual ode to divine love!
Dancer and choreographer Fumiyo Ikeda takes you on a journey to the heart of Morton Feldman’s Piano and String Quartet. This 80-minute composition for piano and strings exudes an aura of tranquillity, in which ‘each is just as much an echo of the other’. Ikeda shares the stage with the soloists of Ictus, as though she herself were the sixth musician.
Stef Kamil Carlens was inspired by folk art, rituals, beautiful creatures from European folklore traditions, and early twentiethcentury modern art. Enter into this wonderful world of dance, music, word, costumes, and masks!
During an improvised encounter, Meg Stuart and Tim Etchells negotiate, renegotiate and explore the themes and methodologies that characterize each other’s work: from presence and absence, need and loss, to fragmentary storylines.
