Burrows and Fargion offer a chance to see their 2014 Venice Biennale piece Body Not Fit For Purpose. It is an attempt to reconcile personal politics with the difficulty of saying anything of consequence in a dance performance, all the while revealing the strange permeability of dance to any message that it meets.

What begins as an innocent game soon degenerates into a fierce battle with a victorious winner. The line between real and unreal begins to fade disturbingly: how fragile is our civilization in reality?

This is a woman who, on payment, you briefly possess, but rarely to love her. She wants to save her daughter from the solitude into which her own fate has plunged her. She sees the hope of a new life disintegrate at the start of the Arab Spring.

The French philosopher Jean-Luc Nancy has pronounced ideas on art and culture. This talk focuses on the status of art as such, on art as representation, concrete phenomena in works of art and how the spectator views them. He engages in conversation with Ignaas Devisch, professor in Ethics, Philosophy and Medical Philosophy at Ghent University.

Chistophe Meierhans’ theatre work raises questions about citizenship and responsibility. During his RE:THINK TALK at 7 PM, Mathijs van de Sande (PhD philosophy student at KU Leuven) offers possible answers in an exposition on philosophy, art and activism.

Guided by headphones and holding a flashlight to illuminate the darkness of a big, empty and dormant theatre, you're cast as an 'extra' in what appears to be a dream-like rehearsal of powerlessness.

‘Food for thought’, that is The Discreet Charm of Marxism. Marxist texts on the class struggle and revolution are staged as a six-course meal. In the meantime real food and drink are served, as ‘books’. No one will go hungry!

In Home Visit Europe, Rimini Protokoll juxtaposes the abstract idea of a European federation with the individual nature of a private home. 15 spectators sit at a table in a living room. The entire performance is contained in a suitcase and is laid out on the table.

Is there such a thing as a ‘European cultural identity’? The Berlin-based theatre collective Rimini Protokoll juxtaposes this abstract idea with the individual nature of a private home. You sit at a table in someone’s living room, together with 14 strangers. Maps are unfolded, joint decisions made, problems solved. Personal stories and parliamentary rituals intermingle while you zigzag from country to country, from citizen to citizen, criss-crossing the entire continent.