Please note: this show has been cancelled to help contain the spread of the new coronavirus. 

In the first part of Suite n° 4, recognizable and anonymous voices overlap as though they were coming from different acoustic spaces. In the second part, the voices are accompanied by eight musicians from Ictus. The Encyclopédie de la parole collective presents a performance about absence, like an opera without singers or a theatre without actors. For 150 minutes, you hear a thousand concrete situations in more than 30 languages.

Warning: this show is cancelled to help contain the spread of the new coronavirus. 

Looking for insights about love, Maatschappij Discordia decided to consult Elfriede Jelinek. While last season, Marguerite Duras accompanied them in a lifelong attempt to articulate the first experience of love, with Jelinek, Discordia has immediately encountered provocation. What is the image that this author – a virtuoso at unmasking clichés – sketches of love… and the female experience of love?

William Gaddis is one of the most influential authors in American postmodern literature. His 1975 magnum opus JR is a complex and hilarious satire on capitalism. FC Bergman has opted for an ambitious adaptation that unmasks contemporary humanity. The company is building a sky-high set in the halls of Paleis12 at the Heizel, around which an extensive ensemble of actors will reconstruct the kaleidoscopic world of JR.

In this personal performance, Khadija El Kharraz Alami blends perspectives from Euripides’ Medea with her own story about growing up between both the Western and the Moroccan world – and about the clash of forces within the self.

Louis Janssens and Timo Sterckx used the book Europeana, a Brief History of the Twentieth Century by Patrik Ourednik to make a production about history, about graduating, about beginning. It might be a very long story.