WORKING TITLE FESTIVAL — Do people treat plants with enough respect? What happens when plants break out of the background of our living rooms? Gosie Vervloessem calls on a number of horror movies in which plants frighten us. Sometimes they attack us head-on, but often the horror lies in ominously waving branches and rustling bushes. According to the artist the exploitative human-vegetal relation comes to a climax in the nature reserve, the plantation and the botanical garden. Places with a direct link to a colonial past.

WORKING TITLE FESTIVAL — Emi Kodama and Elias Heuninck encourage you to look at an ordinary object and explore a vast imagined landscape through its miniature world. They show that everything can become many things, as long as you allow your imagination to look beyond its current reality.

Get to know the latest generation of theatre-makers. In June, three theatre students from the RITCS will be presenting their graduation productions at the Kaaistudios. Not mine and other stories invites you to take a seat at the table. A table at which stories of a generation of twenty-somethings pass by. Young people with an opinion, who coincidently cross each other’s path in the city. Or is there more to it than coincidence?

On the eve of the European, federal and regional elections, The Political Party is organizing an alternative election show to offer a stage to the opinionmakers of tomorrow. Europe, access to justice, labour and precarity, ecology, democracy, decolonization, education, public health: nine young, progressive will explore these eight themes. How will we face and tackle the challenges of today and tomorrow together?

For the seventh edition of the Night of Knowledge on Brussels, researchers and experts from Brussels are joining forces to draw up a polyphonic overview of the major challenges facing Brussels today and to question both citizens and politicians about possible solutions and alternatives. This rich encounter alternates between varied scientific syntheses, debates, quizzes and musical interludes.

Blind Spot is a quest to find what scarce traces remain of Epp Kotkas, an Estonian artist who was active in the experimental dance scene of New York in the 60s and 70s. Talve combines fact and fiction to tell the story of an artist who was totally unknown in her home country. What you witness is an essayistic memory that attempts to reconstruct an unrecorded past.

Nora Turato points a selfie-cam at today’s hectic internet culture. She exposes the fears that are at the root of our society’s shortening attention span. Her monumental installation in cold, black steel suggests that our ‘totally wired’ state of mind may be far more institutionalized than we think.