Dance and choreography leaves traces on your body, and they are often physical and concrete: growing muscles or the trauma of injuries. But the repetition and memory of movements also leave traces. The choreographies of the past continue to dwell in the dancer’s body. In the solo Body of Work, Daniel Linehan explores these traces in his own body.

Five dancers – including Anne Teresa De Keersmaeker herself – adapt, question and dance Bach’s six Cello Suites, performed by the world-renowned cellist Jean-Guihen Queyras. Their ingenious architecture, rhythmic vitality and timeless beauty continue to fascinate people today.

body as oracle, a trance, a rhythmic interface, an atmosphere, a landscape with the texture of my current mental state. a dance informed by everything and everyone i have ever encountered, seen, heard, felt, been beside that has become part of me, as i try to identify my own voice. and then see if i can stand it. nothing ever really goes away.

Unfortunately, we have to cancel all shows due to the refusal of visas for the Congolese actors/dancers.

As the world stands on the verge of collapse, a man and a woman exchange a razor-sharp dialogue based on a caustic text by Heiner Müller. Frank Vercruyssen from tg STAN and Cynthia Loemij from Rosas share the stage and explore the essence of the relationship between words and movement. Again at Kaaitheater after 20 years!

Due to productional reasons, this performance is postponed.

During her 1980 stay in New York, in which she first rehearsed her celebrated Violin Phase to the music of Steve Reich, the only other recording playing in Anne Teresa De Keersmaeker’s studio was the Brandenburg Concertos by Bach. After more than 35 years, she is pursuing her work with this music, joined by sixteen dancers from various Rosas generations and accompanied live by the Baroque ensemble B’Rock.