Claire Croizé engages with two of her favourite sources of inspiration: Bach and Rilke. She places both masters in the hands of Matteo Fargion, the British composer and multi-instrumentalist. They have not created slavish interpretations of Bach and Rilke, but rather opted for a playful, somewhat unruly tribute.

deufert&plischke are coming to Brussels to collect ‘Letters to Dance’ for three weeks. To end the project with a bang, they are also inviting everyone to dance at a veritable Bal Populaire. The favourite dance moves that they collected locally will be the basis for a collective choreography. There will also be live music, surprise dance demonstrations, and live readings of ‘Letters to Dance’.

Behalf is a danced dialogue between the Thai dancer Pichet Klunchun and the Taiwanese dancer Chen Wu-kang. This creation began as a series of conversations about their cultural backgrounds and the patriarchal social structures in both Thailand and Taiwan. A series of dance solos results in a mutual dialogue, which then moves on to involve a local musician and the audience.

A fluctuating constellation of bodies heaves incessantly. Be swept away by Figure a Sea: a sea of possibilities and a meditation about looking at music, at volatility, at synchronous and unexpected moments. The choreography for 21 dancers is both technically immaculate and distinctly minimalist. Dance icon Deborah Hay challenges the intelligence, beauty, and humour of the Cullberg dancers. The result is 60 minutes of sublime purity, beauty, and physicality.

The vocal ensemble HYOID and artist-in-residence at Kaaitheater Benjamin Vandewalle are adapting Indianerlieder (1972) by Karlheinz Stockhausen, an iconic but rarely performed work. They are creating a gesamtkunstwerk that aims to reveal the vitality and timelessness of Stockhausen’s music. They are abandoning the original scenography in order to place the audience at the very centre of the three-dimensional ritual.

If there is one dance artist that deserves a monument, it is certainly the German Valeska Gert (1892-1978). Her fearless, provocative performances make her one of the most important artists of her time. Along with Boglàrka Börcsök, Eszter Salamon translates this energy from the past to the present.