104,5° is the angle formed in a water molecule, between the two hydrogen atoms, and the oxygen atom H-O-H. The Breadth of 104.5° is the umbrella title over an ongoing series of works by the artist, dedicated to exploring the ideas and notions around the essentiality of one of the most, if not the most, important element for the existence of life as we know it.

Unfortunately, we have to cancel all shows due to the refusal of visas for the Congolese actors/dancers.

Starting from linguist George Lakoff's archetypes to describe the dynamics between politicians and citizens, Liz Magic Laser has made a colourful instructional video for a political dance therapy.

Léa Drouet finds a spot in Kanal that she transforms into an area for play and experimentation for her six performers. Like a social laboratory, the piece tests the process involved in composing and disbanding groups. Infinite (re)arrangements of bodies, sounds and stage elements define new social rules like alternatives to the sole principles of inclusion and exclusion.

In a performance that transmits itself only on Instagram by means of Stine Sampers’ photos, choreographers/dancers Vera Tussing and Esse Vanderbruggen re-situate their work in the urban landscape of Brussels.

In een performance die je enkel kunt volgen op Instagram via Stine Sampers’ foto’s , hersitueren dansers/choreografen Vera Tussing en Esse Vanderbruggen hun werk in het stedelijke landschap van Brussel.

Sorrow Swag is the first part – in blue – of Ligia Lewis’ triptych that deals with race and representation. She meticulously creates a hybrid body that is in constant flux. Towards the end, the body transforms into nothing more than a mouth and an unrelenting scream. Earlier this year, Lewis made a big impression at WoWmen!18 with minor matter, the second, red instalment of this series.