Dance and choreography leaves traces on your body, and they are often physical and concrete: growing muscles or the trauma of injuries. But the repetition and memory of movements also leave traces. The choreographies of the past continue to dwell in the dancer’s body. In the solo Body of Work, Daniel Linehan explores these traces in his own body.

On the eve of the European, federal and regional elections, The Political Party is organizing an alternative election show to offer a stage to the opinionmakers of tomorrow. Europe, access to justice, labour and precarity, ecology, democracy, decolonization, education, public health: nine young, progressive will explore these eight themes. How will we face and tackle the challenges of today and tomorrow together?

The biannual Working Title Festival presents an exciting mix of projects in different phases of the creative process: research, creations, and conversations at the inter- section of dance, performance, conversation, video art, and installation.

A discussion on performance art and art fairs with Ellen de Bruijne, Liv Vaisberg, Julie Vandenbroucke, and Sarah & Charles. Moderated by Emmanuel Lambion.

Léa Drouet finds a spot in Kanal that she transforms into an area for play and experimentation for her six performers. Like a social laboratory, the piece tests the process involved in composing and disbanding groups. Infinite (re)arrangements of bodies and stage elements define new social rules like alternatives to the sole principles of inclusion and exclusion.

body as oracle, a trance, a rhythmic interface, an atmosphere, a landscape with the texture of my current mental state. a dance informed by everything and everyone i have ever encountered, seen, heard, felt, been beside that has become part of me, as i try to identify my own voice. and then see if i can stand it. nothing ever really goes away.

Starting from linguist George Lakoff's archetypes to describe the dynamics between politicians and citizens, Liz Magic Laser has made a colourful instructional video for a political dance therapy.

How do artists let the story they want to tell determine if their work will become a film, a sculpture, a painting, an installation, a choreography or performance? What negotiations take place when they appropriate different disciplinary specialisms? How do they play with their spatial and temporal parameters? What is the politics of indisciplinary practices?