A man moves carefully between cardboard set pieces. Everything appears peaceful in this stylized paradise, until a sudden rain shower escalates into a destructive deluge. A decade after the première of BLESSED, Francisco Camacho continues to cling to a world that has long been left in ruins.

The moon is the moon is the moon deconstructs the structure of a dance trio and exposes its building blocks. Just like the preparatory sketches for a painting, the performance begins with various perspectives and movements. The individual layers that you discover in the choreography invite you to see things in new ways.

Ligia Lewis turns to the colour red – in between love and rage – while asking questions about (re)presentation, abstraction, and the limits of signification. Three performers push their bodies against the boundaries of the theatre while simultaneously showing their humble relationship with it. Exhaustion reaches increasingly high levels on a journey to the stage's essential matter: black. Lewis was awarded the prestigious Bessie award for minor matter.

What is happiness? In what dark and remote corners do we have to crawl individually and collectively to find it? Together with dancers from the EnKnapGroup, Pavol Liska and Kelly Copper have created a bizarre, painful and hilarious horror comedy about voracious expansion in the Wild West and all the violence that ensued as a result.

Inspired by baroque compositional patterns, Noé Soulier has created a piece for four dancers. Set to the forceful piano tones of Bach and Johan Jakob Froberger – composers who always attempted to create musical rhetoric – Soulier researches how we perceive and interpret movements.

Benoît Lachambre again asks you to listen to your senses and genuinely to experience the consciousness of your body. Borders between dance and movement gradually blur when a glance, a movement, or the touch of someone in the audience continues to resonate in the choreography.

Radouan Mriziga explores polyrhythm, a bass rhythm in African music. By looking for the social equivalent of this unusual harmony, this exercise for two dancers reminds us of the necessity and value of difference in the creative process.