Almost ten years after Zeitung (2008), Anne Teresa De Keersmaeker and Alain Franco used the building blocks of that production to make a new one: Zeitigung. Against the backdrop of a changing world and channeled through the bodies of eight young dancers, they updated their own work – aided by the young choreographer and dancer Louis Nam Le Van Ho. Zeitigung is returning to the Kaaitheater stage, where it premièred in 2017.

Achterland (1990) is a seminal choreography in Anne Teresa De Keersmaeker’s oeuvre. The minimalism and prevalent femininity of Rosas’ early pieces gave way to an ambiguous no-man’s-land in which boundaries and symbols were blurred. Last season, the reprise of Achterland starring a new generation of Rosas dancers made a tremendous impression: don’t miss this opportunity to see it again.

Does gender have a voice, does skin have a race? Using drag, vogueing, striptease, YouTube tutorials as well as the triadic ballet by Oskar Schlemmer, seven bodies and many more objects try out new constellations, like surrealist ready-mades. With a great sense of irony, Escape Act presents hyper-stereotyped gender identities, only to deconstruct them completely.

For centuries, dancers have been counting their steps to 4, 6 or 8. But what if dancers were to count to infinity? Boris Charmatz: ‘I have always hated counting while dancing. In this piece, we count, speak and sing not only so that we can dance, but first and foremost, so that our minds can wander even more.’ In a world that is being increasingly enslaved by algorithms, Charmatz offers a moment of infinity.

Rain (2001) is one of Anne Teresa De Keersmaeker’s most characteristic performances, set to Steve Reich’s Music for 18 Musicians. Seven women and three men allow themselves to be propelled by an unstoppable joined energy. They are connected by a lively network of breathing and speed, as well as the special comradery that forms when you are beyond fatigue. In 2016, Rain was reprised with a new cast, premièring at the Royal Circus.

Celestial Sorrow is Meg Stuart’s first collaboration with the Indonesian visual artist Jompet Kuswidananto. Based in collective memories and fictitious traumas, the duo create a world of light and movement that is inhabited by three performers and two musicians. The show premiered at the Kaaistudios in 2018 and is moving to the main stage of Kaaitheater for this reprise.

Three performers spend three quarters of an hour turning around their own axis – a movement that in Sufi ceremonies is thought to lead to religious euphoria. In Miet Warlop’s version, it becomes an experiment on the fine line between maintaining and losing control. It is a combination of swirling dance, recital and concert. How can you find a balance between self-control and devotion?

Michiel Vandevelde goes in search of traces of the legacy of May ’68, along with a new generation of young people. Will they open new perspectives on the future when they research half a century of history in a wild choreography of iconic images?