As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

Ivo van Hove has a thing with Ingmar Bergman. He has already staged wonderful productions of Scenes from a Marriage and Cries and Whispers. Now he will be directing two plays by the Swedish theatre and film director: After the Rehearsal, a TV essay about theatre and acting, and Persona, a film Bergman himself regarded as one of his best works. You get to see them both in one evening.

As from this season, the Kaaitheater and the RITS will be joining forces for the presentation of graduation productions from the college’s theatre course. These productions are the final part of the Bachelor and Master courses in Acting and Directing. All shows are in Dutch.

Following Alles is rustig (All is Quiet, 1999) and “Redde wie zich redden kan” geen slechte titel (‘Devil take the hindmost’ not a bad title) (2005), tg STAN is now creating the third part of its Bernhard trilogy. They’ve chosen Am Ziel. Matthias de Koning (Discordia) will set the table and Jolente De Keersmaeker, Sara De Roo and Damien De Schrijver will act.

The Brussels theatre-maker Isabelle Dumont has put together a ‘cabinet of curiosities’, a colourful collection of ‘artificialia and naturalia’ – art objects and wonders of animal kingdom. She was guided by her amazement, always welcoming surprises, and is now sharing her delight with the public. On the basis of this collection she tells a story about the relationship between man and the animals down the ages.

'The power of theatrical madness.' In 2012 it will be thirty years since the theatre-maker and artist Jan Fabre made his quite remarkable entrance into Flemish theatre history with his eight-hour show This is theatre like it was to be expected and foreseen. Two years later he conquered international stages with The power of theatrical madness. In this second production Jan Fabre again questions the medium of theatre (opera, dance). At the same time he links the theatre of that time (1984) – and especially his own theatre work – to the theatrical heritage and art history. The thread running through it is the fairytale of the Emperor's new clothes, a metaphor for the illusion, the lie of theatre.

The writer and dramatist Peter Verhelst created a monologue for and with Oscar Van Rompay. Apart from his theatre work at NTGent, Van Rompay also has a personal commitment in Kenya. How does the visual, mythical theatre of Peter Verhelst clash with Oscar Van Rompay’s testimony? And how can you say something meaningful about your own desire?