Six actors on the stage and only one solo. There are no leading or secondary roles, but six simultaneous interpretations of the same script. How strictly will each actor comply with the stage directions? Will they allow one another a place in the spotlight? The Script simultaneously focuses on the existential loneliness that you sometimes feel in a group. How is it possible to be so similar and yet live ‘side by side’?

A cloud of voices gathers in an imaginary museum. Their bodies are held up elsewhere, but here absent storytellers recount histories of hunting. Some of these voices are heard. Many are not. All are experts of a certain reality. During this actorless audio performance, you will hear snippets of Arabic, English, Farsi, French and Greek collected from around the Mediterranean. Sampling from hours of recordings, Simple as ABC #3: The Wild Hunt pieces together a many-voiced portrait of today’s humanhunt.

In the 19th century, it was very common to attend astronomy performances. In an age of immense scientific progress, the planetarium was a refuge for both fact and fiction. This mingling of the heavenly and earthly produced cosmological narratives that made sense of the position of humankind and technology in a rapidly evolving world. Fast forward to 2019. Pieter De Buysser’s tale begins in Argentina while giving a lecture on the writer Letizia Álvarez de Toledo. High time to reinstate the astronomy performance! And where better place than at the Brussels Planetarium?

They’ve had enough of lonely nights onstage, so Laura van Dolron and Willem de Wolf from the KOE want to answer all your questions. The actors search and struggle, assisted by two musicians. Every evening, this results in a live philosophical theatre concert full of poetry, thought, action, hope and despair…and ultimately there is perhaps one answer that transcends all questions.

Last season, Tibaldus presented an energetic adaptation of Yvonne, Princess of Burgundy by Witold Gombrowicz at Kaaitheater. They are now staging another play by the Polish author. Tibaldus enhances the musicality of Gombrowicz’ play by connecting textual motifs with Flemish polyphonic melodies. They are again presenting a surprising take on an unconventional repertoire!

Two theatre makers. One from Bagdad, the other from Amsterdam. Together, they perform nine miniatures which together form on theatre evening. It is the search of two wandering souls for common ground, rooted in the Great Themes. De verse tijd is an encounter between two men who are sometimes diametrically opposed, but who can also be fraternally supportive.

In Museum of Lungs, author and performer Stacy Hardy talks about her life with TBC, about the years before the diagnosis, and about her treatments since. She combines intimate, personal testimonies with historical archival materials. Together with musicians Neo Muyanga and Nancy Mounir, director Laila Soliman and Hardy also show how vulnerability and disease can initiate resistance and change.