Imaginons qu’on puisse être autrui le temps d’un instant. Dans HUIS, on est invité dans un lieu inconnu. En raison de la situation inattendue dans laquelle on aboutit, on ne peut plus assister en spectateur depuis la ligne de touche : il n’y a nulle part où se cacher. Sans aucune pression, de manière totalement naturelle, quasi surréaliste, on devient un élément d’un nouveau « chez-soi ».

In Home Visit Europe, Rimini Protokoll juxtaposes the abstract idea of a European federation with the individual nature of a private home. 15 spectators sit at a table in a living room. The entire performance is contained in a suitcase and is laid out on the table.

In Home Visit Europe, Rimini Protokoll juxtaposes the abstract idea of a European federation with the individual nature of a private home. 15 spectators sit at a table in a living room. The entire performance is contained in a suitcase and is laid out on the table.

The bas-relief Les passions humaines by the sculptor Jef Lambeaux (1852-1908) created a commotion in royal circles and the church authorities who described it as ‘blasphemous’ and ‘pornographic’. Guy Cassiers uses the work of art as the main character in a Belgian docudrama with a bilingual cast and a text by Erwin Mortier.