Each evening Khadija El Kharraz Alami invites somebody else on stage. A performer, artist, actor, writer, human being, dancer... always a woman. You witness their first meeting. Re-claiming Space is an exploration of the space of womanhood and how to transcend it. Khadija’s work process is characterized by leaving certain things undetermined, so the performance takes shape onstage.
This brand new production directed by Ivo Van Hove is based on Leoš Janácek’s song cycle that goes by the same name. The result of Janácek’s inspired efforts is a mysterious, deeply emotional and psychological piece on identity, alienation, and an impossible love. Annelies Van Parys – one of the most acclaimed Belgian composers of our time – adds a fi tting contemporary reply.
Dancer and choreographer Fumiyo Ikeda takes you on a journey to the heart of Morton Feldman’s Piano and String Quartet. This 80-minute composition for piano and strings exudes an aura of tranquillity, in which ‘each is just as much an echo of the other’. Ikeda shares the stage with the soloists of Ictus, as though she herself were the sixth musician.
Stef Kamil Carlens was inspired by folk art, rituals, beautiful creatures from European folklore traditions, and early twentiethcentury modern art. Enter into this wonderful world of dance, music, word, costumes, and masks!
Ne Swarte is a new text by Jan Decorte, based on Shakespeare’s Othello. In this radical, poetic rewriting, Jan Decorte debones the classic text. Beneath the simple narrative lies a profound truth that directly touches on the mystery of life.
Every second, an hour of video material is uploaded onto YouTube. We dish out ‘likes’ and ‘dislikes’ and enjoy nothing more than offering detailed commentary. Guided by a selection of these comments, Tristero touches upon fundamental themes, such as the fragility of art and of freedom of speech. This leads to a drily humorous, sometimes disconcerting portrait of the globally linked YouTube community.