Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

Two female bodies entwine until they become only one. Or three? Or… none? Where does a body actually begin? A clear question resounds in this duet that both refers to the tropes of the genre but also transcends them. What does it mean nowadays to be two together?

Radouan Mriziga explores polyrhythm, a bass rhythm in African music. By looking for the social equivalent of this unusual harmony, this exercise for two dancers reminds us of the necessity and value of difference in the creative process.

Continuous interaction between the performers and audience is rooted in an implicit understanding. Along with your fellow audience members, you delineate the stage in an ellipsis: this is a dance of touch. Join the performers in this adventure to discover what it means to experience tactility!