Almost ten years after Zeitung (2008), Anne Teresa De Keersmaeker and Alain Franco used the building blocks of that production to make a new one: Zeitigung. Against the backdrop of a changing world and channeled through the bodies of eight young dancers, they updated their own work – aided by the young choreographer and dancer Louis Nam Le Van Ho. Zeitigung is returning to the Kaaitheater stage, where it premièred in 2017.

The first talk shows aired in the 1950s and they have determined the evening rhythm in many living rooms ever since. But the invention of the internet has definitively pushed the format into decline. In TALK SHOW, Suze Milius bids them farewell. It is both a retrospective and a look ahead into the future, an attempt to ascribe value to everything that gradually disappears, and an ode to the details of our existence.

On a bare stage under bright light, six hapless clowns do their best to get along and pass the time. They fight and chase in eruptions of uneasy mayhem, then cool off a little, settle and wait for the whole thing to kick off again. Carefully unbalanced between funny and not funny, Out Of Order is the ruins of a show in the ruins of a world.

Achterland (1990) is a seminal choreography in Anne Teresa De Keersmaeker’s oeuvre. The minimalism and prevalent femininity of Rosas’ early pieces gave way to an ambiguous no-man’s-land in which boundaries and symbols were blurred. Last season, the reprise of Achterland starring a new generation of Rosas dancers made a tremendous impression: don’t miss this opportunity to see it again.

In their search for Arabic literature, tg STAN sought and found allies at the Nomadic Arts Centre Moussem, and among the theatremakers of Kloppend Hert, the company led by Haider Al Timimi. Eight performers go in search of answers to questions that are essential to them, in a cross-border space where multiple influences can blend into one whole. But it begins at the beginning: an open forum and conversation.

Does gender have a voice, does skin have a race? Using drag, vogueing, striptease, YouTube tutorials as well as the triadic ballet by Oskar Schlemmer, seven bodies and many more objects try out new constellations, like surrealist ready-mades. With a great sense of irony, Escape Act presents hyper-stereotyped gender identities, only to deconstruct them completely.

William Gaddis is one of the most influential authors in American postmodern literature. His 1975 magnum opus JR is a complex and hilarious satire on capitalism. FC Bergman has opted for an ambitious adaptation that unmasks contemporary humanity. The company is building a sky-high set in the halls of Paleis12 at the Heizel, around which an extensive ensemble of actors will reconstruct the kaleidoscopic world of JR.

For this ‘remake’ of Iemand van ons (2005), Tristero has mobilized a seasoned cast with plenty of life experience. Reinhilde Decleir, Mark Verstraete, Janine Bischops, Bob De Moor, Kristin Arras and Kris Smet all get into a big bed together and talk about politics, love and life. With a great sense of humour, they ask one another personal questions, listen, toss and turn on the bed, and reveal their inner selves.