To close the season, the occasional collective Lucinda Ra is organizing an open studio for three days. You are free to come in and out, join the conversations, or just to listen and watch the music, animated films, short presentations, and visual work. The kitchen – which forms the heart of the project – will be open throughout and is free. You can contribute your own ingredients: a ticket for Grondwerk costs 250 grams of food.

Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

Gallop. Biography of a Body tells the bizarre story of the life cycle of a body. Dolores Bouckaert’s co-star in this solo is – via film and audio – a fast and powerful horse. The two are one another’s opposites until they become interchangeable, when the horse’s gallop coincides with the rhythm of her heartbeat.

Like an engineer at a control panel, Benjamin Verdonck conjures a visual elegy on the stage. From a sequence of miniature landscapes to an endless series of panels that appear and disappear, open and close. Accompanied by two musicians, Verdonck gradually gets lost in his own images.

Emeritus Professor Gloria Wekker is coming to talk about the profound paradox of places like the Netherlands, Belgium, and other countries with a colonial past: the emotion and aggression that race incites among the white population, while at the same time, race and racism seem to be denied. She explains concepts like white innocence, cultural archive, and intersectional feminism with reference to telling current examples.