Theatre director Thomas Bellinck thinks the time is ripe to scrutinize digital migration management. Can one simply outsource unease about social sorting? Discussions with border and data managers in the control rooms of Project Europe were the starting point of this documentary musical.
A philanthropist – one who still genuinely believes in progress – builds a ship. However much like a fable it may seem, Pieter De Buysser’s planetarium production was inspired by contemporary socio-political realities. Take a chance on this border exploration for nationalists, homeland research for cosmopolitans, and cosmology of a new worldview.
In Cinema Dialogue, Monika Gintersdorfer and Knut Klaßen critically examine the United Nations’ ostensibly apolitical Millennium Development Goals. They juxtapose the universalism of the UN programme with the local reality of urban development in Kinshasa between 2000 and the present day.
This brand new production directed by Ivo Van Hove is based on Leoš Janácek’s song cycle that goes by the same name. The result of Janácek’s inspired efforts is a mysterious, deeply emotional and psychological piece on identity, alienation, and an impossible love. Annelies Van Parys – one of the most acclaimed Belgian composers of our time – adds a fi tting contemporary reply.
Based on the Golem myth – in which Jewish scholars bring dead matter to life, which subsequently turns against them – Thomas Ryckewaert creates an explicitly visual performance about ambition, creativity, power, creation, insanity, and destruction.
CAPSAICIN is that feeling you get when you have eaten a hot chilli pepper. But it could also be a place: a new Cape of Good Hope as a place of refuge. Together with Globe Aroma and newcomers to Brussels, Michiel Soete deals with longings that refuse to be thwarted by powerlessness, anger or fear.
Beeldend kunstenaar Hans Op de Beeck en schrijver-speler Pieter De Buysser brengen voor honderste keer Book Burning. Hans maakt een object, Pieter schrijft zinnen en spreekt ze uit op de scène. Een object, een tekst, een speler: dat is alles wat nodig is voor dit kleinood dat hart én verstand weet te raken.
Ne Swarte is a new text by Jan Decorte, based on Shakespeare’s Othello. In this radical, poetic rewriting, Jan Decorte debones the classic text. Beneath the simple narrative lies a profound truth that directly touches on the mystery of life.
Every second, an hour of video material is uploaded onto YouTube. We dish out ‘likes’ and ‘dislikes’ and enjoy nothing more than offering detailed commentary. Guided by a selection of these comments, Tristero touches upon fundamental themes, such as the fragility of art and of freedom of speech. This leads to a drily humorous, sometimes disconcerting portrait of the globally linked YouTube community.
During the British occupation of Egypt, soldiers invade Nazlat al-Shobak. The villagers accuse the soldiers of gross misconduct and the matter is brought before a military court. Among the witnesses are twelve women who were raped. Zig Zig is a documentary theatre performance that takes the transcripts of these courageous witnesses as its starting point.
Jan Fabre shatters Greek tragedy with violence, ecstasy and Homeric laughter. For 24 hours, a maelstrom of images carries you off to a different, labyrinthine time. Climb the mountain – together with 27 performers covering four generations – and become part of this monumental happening.