The first talk shows aired in the 1950s and they have determined the evening rhythm in many living rooms ever since. But the invention of the internet has definitively pushed the format into decline. In TALK SHOW, Suze Milius bids them farewell. It is both a retrospective and a look ahead into the future, an attempt to ascribe value to everything that gradually disappears, and an ode to the details of our existence.

William Gaddis is one of the most influential authors in American postmodern literature. His 1975 magnum opus JR is a complex and hilarious satire on capitalism. FC Bergman has opted for an ambitious adaptation that unmasks contemporary humanity. The company is building a sky-high set in the halls of Paleis12 at the Heizel, around which an extensive ensemble of actors will reconstruct the kaleidoscopic world of JR.

For this adaptation of Moby Dick, Gorges Ocloo called on Ben Okri, who adapted the novel into a magic-realist story about the gulf between high and low, rich and poor. Josse De Pauw and the renowned American mezzo-soprano Raehann Bryce-Davis take to the stage. Together, they perform an energized and jazzy opera about the need for rapprochement in an increasingly polarized society.

‘I resist the laziness of resistance. I am disgusted by how rage imagines itself to be a valid argument. I am ashamed of the dullness of the screamers. After Otaku, In Onaanvaardbare Staat and Habeus Corpus Joost Vandecasteele is returning with this new solo.

In 1994, Jan Decorte wrote his inimitable theatre script Bloetwollefduivel: a jet-black abstraction of the ultimate play about evil: Shakespeare’s Macbeth. body a.k.a. starts from this iconic text but seeks to ward off evil and to turn the downwards spiral into an ecstatic high. Jan Decorte, Sigrid Vinks, and the young multi-talent Lisah Adeaga engage in the battle body and soul.