When the 21-year-old Etouri undergoes nose surgery, she unexpectedly holds up a mirror to her mother Christine and grandmother Christa. Métisse is a tragi-comic, musical production about the existential question of ‘half-blood children’ since the 1960s. The perspectives of three generations of women, each with darker skin than the last, coalesce and reveal a piece of the hidden past and present.

‘How are you now?’ It is with this question that Rabot 2 begins. In 2010, Simon Allemeersch installed his workshop in one of the dilapidated social housing blocks in the Rabot neighbourhood in Ghent. Now he has made Rabot 2, in which he looks up the people he collaborated with at the time. Starting from individual testimonials, he zooms out to a bigger story about private and public wealth.

Kyoko Scholiers had a telephone booth travel around for a year. She took it to prisoners, refugees, the homeless, prostitutes, patients, and the unlucky. During Misconnected, you enter the phonebooth yourself and you hear five-minute audio fragments. Just briefly, you witness the problems and complaints that one caller told Scholiers over the course of that year.