In 1993 Jolente De Keersmaeker and Damiaan De Schrijver, together with Julien Schoenaerts, created Gewoon Ingewikkeld, based on Einfach Kompliziert by Thomas Bernhard. It was inevitable that Bernhard would continue to be one of STAN’s fellow travellers. Now the theatre company presents three Bernhard adaptations as a trilogy: a true Bernhard marathon that is around six hours long.
History is written by winners. Including all the lies, chance encounters, and accidents de parcours. With this realization in mind, Jan Lauwers and Needcompany travel through time by way of the family trees of all the members. After an international tour – and being selected for the TheatreFestival 2016 – The blind poet is returning to the place where it premiered: the Kaaitheater.
Elfriede Jelinek wrote Die Schutzbefohlenen in 2013 as a reaction to the increasingly desperate refugee problem in Europe. Her text has proved to be more than prophetic: all the images that are now burnt into our memories she minutely calls to life years before the actual events. Guy Cassiers matches Jelinek’s torrent of words with images and with four dancers in a choreography by Maud Le Pladec.
Theatre director Thomas Bellinck thinks the time is ripe to scrutinize digital migration management. Can one simply outsource unease about social sorting? Discussions with border and data managers in the control rooms of Project Europe were the starting point of this documentary musical.
A philanthropist – one who still genuinely believes in progress – builds a ship. However much like a fable it may seem, Pieter De Buysser’s planetarium production was inspired by contemporary socio-political realities. Take a chance on this border exploration for nationalists, homeland research for cosmopolitans, and cosmology of a new worldview.
A masked soldier starts talking to the woman he is burying alive. This dialogue between victim and perpetrator gradually becomes absurd. The young Palestinian director Bashar Murkus confronts you both with a fictionalized reflection of the war in Syria and with a vision of the totalitarian violence that holds the Middle East in its grip.
In Cinema Dialogue, Monika Gintersdorfer and Knut Klaßen critically examine the United Nations’ ostensibly apolitical Millennium Development Goals. They juxtapose the universalism of the UN programme with the local reality of urban development in Kinshasa between 2000 and the present day.
When you read, you make choices. You translate what you read into the language of your life. A book like Tolstoi’s Anna Karenina could also be the collection of lives it has changed, for better or for worse. In this first play Tiago Rodrigues writes for tg STAN, he convincingly builds a bridge between the actors of the Portuguese Teatro Nacional and those of STAN.
Filip Berte’s current project focuses on the mechanism of inclusion and exclusion of uninvited newcomers in Western society. With the use of a camera obscura and a hidden digital camera, he installed a critical ‘moment of auto-reflection’ in several asylum centers. During Performatik he initiates a new phase of the project in an asylum center in Brussels
With his visual art and spectacular performances, Yves Klein was the precursor to the happening and to body art. In this exhibition you become acquainted with his oeuvre through unseen masterpieces and rarely exhibited visual works.
Feiko Beckers builds pile dwellings in the white foyer of the Beursschouwburg. Inside, he presents sculptures, films, texts, and performances. Each work offers a solution for an apparently trivial problem, but all these attempts fail miserably.