The building blocks of Move (on) include the dialogues of the English playwright Dennis Kelly, a dull growling that expresses the sense of uneasiness in our society. Voices will rise above this, such as those of the characters created by the Egyptian author Alaa El Aswani. They speak of corruption, and of the economic, social and religious straitjacket in which they are imprisoned. They blend with voices from the work of the Palestinian Mahmoud Darwish or the Syrian playwright Saadallah Wannous, bursts of wild hope but simultaneously exclamations of shared powerlessness.

The first talk shows aired in the 1950s and they have determined the evening rhythm in many living rooms ever since. But the invention of the internet has definitively pushed the format into decline. In TALK SHOW, Suze Milius bids them farewell. It is both a retrospective and a look ahead into the future, an attempt to ascribe value to everything that gradually disappears, and an ode to the details of our existence.