Financial activist Brett Scott calls on people to explore the financial system, jam it and build alternatives so we have an answer ready when the next financial crisis hits. This is a lecture in the Bank2Basics series powered by FairFin.

The last of three NightShops organised by the UCL. The moderator is once again Béatrice Delvaux, the editor of Le Soir. This edition's guests are film director Thierry Michel, journalist Colette Braeckman, researcher Valérie Rosoux (UCL) and photographer Mélanie Wenger.

PERFORMATIK 2015 - Art and literature were frequently partners in crime, especially in the avant-garde movements, but they now seem to have gone their separate ways. Is there still some common ground? Gilles Collard (Pylône) discusses this with curator Hans Ulrich Obrist (Serpentine Galleries Londen and author of The Interview Project) and Donatien Grau (Oxford University and author of The Age of Creation).

PERFORMATIK 2015 - In his new production Xavier Le Roy creates three situations that make the relationship between the audience and actors less straightforward. The three parts – a lecture, a performance and a concert – are controlled by the loss of a protagonist. The actors and spectators mourn together and this leads to inventions and strange situations…

PERFORMATIK 2015 - Visual artist Joëlle Tuerlinckx ventures into new territory and creates an ‘all-round show’ in which she draws from her vast archive. A part of that archive – images she uses to ‘theatricalise’ the world – was the basis of her impressive solo exhibition in WIELS.

In Next Day, the Parisian director Philippe Quesne catapults us into another world. Thirteen children between the ages of 8 and 11 live in a bizarre microcosm without adults. Here dream and reality, music and language, loneliness and group spirit are intertwined.

There are quite a few yawning gaps these days: that between those with wealth and those without, between those who are on board and those who are excluded, between the salary of the CEO and that of the worker, etc. A debate on a pressing issue, involving several specialists and taking as its motto ‘Change the world, it needs it’ (Bertolt Brecht).

The Great War by Hotel Modern may be performed in a theatre, but you feel like you’re on a miniature film set. Composer Arthur Sauer creates the live ‘sound effects’ and the soundtrack for the haunting images. - cancelled due to planning problems.

Needlapb is a unique opportunity to take a look at the working process and be offered an insight into future Needcompany projects. In this edition, Needcompany shows the initial steps towards two productions for 2015: The Time Between Two Mistakes and The Blind Poet.

Facing new challenges in various fields such as economics, politics, technology, commercial business, sex, dance and theatre, SUPERAMAS turns itself into SUPERAMAX. A sweet-sour comedy.

In Drugs kept me alive Jan Fabre describes a mortal, a life that is teetering on the edge of death. The closer to death, the more pills, sachets and drinks are needed to undershore this life. The monologue was written for born performer Tony Rizzi.