What if the sounds from your living environment start to disappear? David Weber-Krebs invites you to listen collectively to a world that increasingly is going silent. Accompanied by composer Pali Meursault, a group of young storytellers will lead you through a slow process that leads to silence. Until there are no more stories to tell.

You see writhing bodies in a desolate landscape, hands and a head moving to the rhythm of an explosive drum solo, and a playful duet in which two women take control of the spectator's gaze. Meg Stuart creates an evening in which four dancers perform existing solos and duets, combined with fragments from full-length performances. All to live music. An excellent opportunity to journey through Stuart's oeuvre, which continues to grow, live and transform.

The performance How not to be understood?  approaches art as a spirit. A spirit that surrounds people, influences them and appears to them in unpredictable ways. Through video fragments, a piece of fabric and his own body, Marcos Simões takes you on a journey through a spiritual sequence of rituals. Get ready for this encounter with art as an unformed being: a process that connects the invisible to the visible, the finite to the infinite, the one to the many.

Read the Room is the kick-off of a biennial collaboration between Mophradat and Kaaitheater. For three days you are invited for a programme around 'the mother'. On the third day of the festival, you can see the work of Dirar Kalash, Nile Sunset Annex, Geo Wyeth and Deena Abdelwahed.

.يشكل «جس نبض» النسخة الأولى لمهرجان متعدد المجالات تنظمه «مفردات» بالتعاون مع «مسرح كاي» سيُجرى كل سنتين على مدى ثلاثة أيام.

Read the Room is the kick-off of a biennial collaboration between Mophradat and Kaaitheater. For three days you are invited for a programme around 'the mother'. On the first day of the festival, you can see the work of Mary Jirmanus Saba, Noor Abed, and Bint Mbareth.

يشكل «جس نبض» النسخة الأولى لمهرجان متعدد المجالات تنظمه «مفردات» بالتعاون مع «مسرح كاي» سيُجرى كل سنتين على مدى ثلاثة أيام. 

Imagine a tower of countless lamps and light sources. It comes to life buzzing, creaking and crackling to the rhythm of switching sounds. Named after the light designer Bruno Pocheron, BRUNO brings together series of dances oscillating between figuration and abstraction with three dancers trying on their movements as if they were clothes: every touch, every gesture, however fugitive, forever printed. 

Whether you want to call Magical and Elastic a musical, deconstructed musical or an anti-musical doesn't really matter. Music, choreography, images and language are dependent on each other. This performance is a space where you see to listen and listen to see. Expect a magical performance where a narrative emerges from an image, a choreography is created thanks to the music, and the music starts from the words…

How does one make darkness tangible? Which other realities, encounters and connections become possible in the dark? gone here (yet) to come is an investigation into the materiality of darkness and how it relates to space. Digging deeper and deeper into the theatrical space and time exposes lost memories. Let these specters guide you into the dark and discover other dimensions of the world as we know it.

Imagine a world in which we can no longer touch each other. Now imagine that you are a teenager who has to juggle shyness and the hormonal magnetism that your peers exude. Close Encounters is a series of intimate conversations is recorded by a group of teenagers in which they investigates the relation between intimacy, authority, disobedience, and love.