To close the season, the occasional collective Lucinda Ra is organizing an open studio for three days. You are free to come in and out, join the conversations, or just to listen and watch the music, animated films, short presentations, and visual work. The kitchen – which forms the heart of the project – will be open throughout and is free. You can contribute your own ingredients: a ticket for Grondwerk costs 250 grams of food.

Joining the American-British invasion of Iraq in 2003 was Japan’s first military engagement since WWII. Historic peace marches took place in Tokyo, and many of the protesters were young people. In Five Days in March, a number of characters voice their deeply personal concerns. The image they sketch of their personal, everyday lives in Tokyo stands in sharp contrast to their public participation in the demonstrations. In this adaptation of his original 2007 creation, Toshiki Okada sketches a generation of young people who have lost their way.

Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

In a stimulating theatrical game, you as the audience explore the limits of the imaginable, beyond what is true, good, or politically correct. Can the most cheerful, strange, improbable, and wild fantasies influence the world that we share together? The stakes in the game? To make time and space for our own imagination.

Gallop. Biography of a Body tells the bizarre story of the life cycle of a body. Dolores Bouckaert’s co-star in this solo is – via film and audio – a fast and powerful horse. The two are one another’s opposites until they become interchangeable, when the horse’s gallop coincides with the rhythm of her heartbeat.

Like an engineer at a control panel, Benjamin Verdonck conjures a visual elegy on the stage. From a sequence of miniature landscapes to an endless series of panels that appear and disappear, open and close. Accompanied by two musicians, Verdonck gradually gets lost in his own images.

Emeritus Professor Gloria Wekker is coming to talk about the profound paradox of places like the Netherlands, Belgium, and other countries with a colonial past: the emotion and aggression that race incites among the white population, while at the same time, race and racism seem to be denied. She explains concepts like white innocence, cultural archive, and intersectional feminism with reference to telling current examples.