Can light be a compositional building block? The Liquid Room Series radically questions the classical concert model. The audience is free to move around among the various stages set up in the dismantled hall of the Kaaitheater. Immerse yourself in a pure experience of sound and light!
In their performances, author and artist Romy Rüegger and electronic music performer Deena Abdelwahed reflect on ways of personal entanglement with the world and its politics, including the interpretation of history as part of the present.
Maarten Seghers looks for a confrontation with the artists, musicians and dancers Fritz Welch, Simon Lenski, Nicolas Field and Mohamed Toukabri, for whom he wrote an invocatory song about the noisiness of comforting.
Charlemagne Palestine is unleashing his strumming technique on the Bösendorfer Imperial: a piano that covers eight complete octaves. His instrument looks like a sculpted altar made of cuddly toys. He elevates these to divine creatures or shamanistic totems that are always close by.
Syden means ‘South’ in all the Scandinavian languages. It evokes a Southern holiday destination: warm, cheap and with every amenity. The musician and composer Niko Hafkenscheid, the visual artist Hedvig Biong and the film-maker Pablo Castilla explore the mystery, authenticity and perversity of this parallel universe.
Three singers/performers create a succession of intriguing tableaux vivants. Ivo Dimchev’s stream of consciousness simultaneously appears on the rear wall. He harnesses the power of the voice, extreme theatricality and a whole arsenal of temperament, and goes in search of what opera is and can be.
For his Concertos, the born performer Ivo Dimchev always invites a different musician for a voice improvisation in the form of a concert. At the Kaaitheater, he performs alongside the composer and pianist Lea Petra, who has been highly praised for her tango transcriptions for piano.