THE THING is an automated and hybrid form consisting of four episodes, in between performance, workshop, and journey. The only ones present are you, a group of 8 to 12 people who open a suitcase and follow a wild mix of different triggers as a guide. Make a leap of faith!
In the performance Crazy But True, children between the ages of eight and eleven form a panel of experts. A text is whispered to them via headsets. They repeat what they hear, and thus present a growing list of extraordinary facts.
In her new solo – and anagram – oslo, Mette Edvardsen once again plays with language, time and space. She extends the concept of the solo into the entire theatre space, where thoughts, words, things and actions multiply.
Caspar Western Friedrich combines the narrative force of the Western with the dreamy longings of Romanticism. Drawing his inspiration from the lonesome cowboy and from the paintings and personality of Caspar David Friedrich, Philippe Quesne builds a studio of landscapes on stage.
With a year’s production of her own wool and two performers, Orla Barry addresses our complex relationship with nature. The result is compelling live performance and a video installation, made up of a series of vignettes that reflect upon the primal, poetic and unpredictable bond we have with the natural world.
Charlemagne Palestine is unleashing his strumming technique on the Bösendorfer Imperial: a piano that covers eight complete octaves. His instrument looks like a sculpted altar made of cuddly toys. He elevates these to divine creatures or shamanistic totems that are always close by.
Hedwig Houben introduces three plaster characters: The Made, The Being and The Imitator. How do they relate to each other? How much do authenticity and originality really matter? Don’t we all learn through copying others?
Numerous Syrian gardens cover the bodies of demonstrators who took to the streets during the civil war. Gardens Speak shares the oral history of ten of these people, in the form of an interactive sound installation. Each story is carefully told in consultation with their family and friends.
Petra Serhal explores the commemoration of recent horrific acts. She asks you to hold a minute’s silence at the beginning. You are not only a viewer, but also a performer who – forced into an extremely vulnerable position – mourns collectively.
With an annually recurring city cycle, Moussem’s Nomadic Arts Centre offers an insight into contemporary Arab societies and the dynamic of their cities. Every year, an Arab city is a guest in the capital of Europe. Over the course of this ten-day festival, guest artists, relevant thinkers and cultural players tell the story of their city through their work.