History is written by winners. Including all the lies, chance encounters, and accidents de parcours. With this realization in mind, Jan Lauwers and Needcompany travel through time by way of the family trees of all the members. After an international tour – and being selected for the TheatreFestival 2016 – The blind poet is returning to the place where it premiered: the Kaaitheater.
Theatre director Thomas Bellinck thinks the time is ripe to scrutinize digital migration management. Can one simply outsource unease about social sorting? Discussions with border and data managers in the control rooms of Project Europe were the starting point of this documentary musical.
A philanthropist – one who still genuinely believes in progress – builds a ship. However much like a fable it may seem, Pieter De Buysser’s planetarium production was inspired by contemporary socio-political realities. Take a chance on this border exploration for nationalists, homeland research for cosmopolitans, and cosmology of a new worldview.
When Vincent Dunoyer began to create performances himself it struck him that dance industry professionals would always ask him the same thing. ‘Can you send us a DVD of the performance?’ In DVD DVD he creates a montage of personal and professional memories, like a lecture interspersed with video and dance. Both intimate and universal!
In Cinema Dialogue, Monika Gintersdorfer and Knut Klaßen critically examine the United Nations’ ostensibly apolitical Millennium Development Goals. They juxtapose the universalism of the UN programme with the local reality of urban development in Kinshasa between 2000 and the present day.
When you read, you make choices. You translate what you read into the language of your life. A book like Tolstoi’s Anna Karenina could also be the collection of lives it has changed, for better or for worse. In this first play Tiago Rodrigues writes for tg STAN, he convincingly builds a bridge between the actors of the Portuguese Teatro Nacional and those of STAN.
In this performance/cookery workshop, Feiko Beckers teaches you some cooking techniques using faulty instructions and impractical utensils. You can be sure that the result will be inedible, but in Feiko Beckers’ world, failure is always a joy!
You and a partner sit side by side in the reading room of Muntpunt. Via headphones and a notebook, a voice gives whispered instructions that guide you through a pile of books. A unique narrative thus unfolds for each duo. It is an intense and intimate hour-long experience – situated among studying students and reading library-users – that brings out the strange magic at the heart of reading.
Ant Hampton decided to step outside the building and beyond the comfort zone of an autonomous art practice, opting instead for an aim of real consquence via a clear demand: break your bubble. This performance-as-assignment for two, gently reveals itself as an urgent and vibrant challenge to audience, artist and art-centre.
Maarten Vanden Eynde and Alioum Moussa are building a two-part mobile structure, of which one side is the other’s opposite. During Performatik17 they set up shop at Place de la Monnaie, where you are invited to visit them – in pairs – for a discussion about dependence and independence.
Maarten Seghers looks for a confrontation with the artists, musicians and dancers Fritz Welch, Simon Lenski, Nicolas Field and Mohamed Toukabri, for whom he wrote an invocatory song about the noisiness of comforting.
Ivo Dimchev is one name that cannot be missed from the Performatik programme: the exuberant performer has never missed a single edition. This time he sets up his first long durational performance at ZSenne artlab. For six days, he explores seven of his favorite creative activities. Pay Ivo a visit and witness his fourteen-hours performance laboratory.
In her new solo – and anagram – oslo, Mette Edvardsen once again plays with language, time and space. She extends the concept of the solo into the entire theatre space, where thoughts, words, things and actions multiply.
Caspar Western Friedrich combines the narrative force of the Western with the dreamy longings of Romanticism. Drawing his inspiration from the lonesome cowboy and from the paintings and personality of Caspar David Friedrich, Philippe Quesne builds a studio of landscapes on stage.
Experience what lies at the root of human contact, and how a group can come together in a very direct way. To look at one another without speaking is highly intense. This encounter is based on the annual meeting of Inuit leaders, which is conducted without speaking.
With a year’s production of her own wool and two performers, Orla Barry addresses our complex relationship with nature. The result is compelling live performance and a video installation, made up of a series of vignettes that reflect upon the primal, poetic and unpredictable bond we have with the natural world.
Charlemagne Palestine is unleashing his strumming technique on the Bösendorfer Imperial: a piano that covers eight complete octaves. His instrument looks like a sculpted altar made of cuddly toys. He elevates these to divine creatures or shamanistic totems that are always close by.
Especially for Performatik17, Grace Schwindt creates a performance for the theatre stage. She draws inspiration from Bernini’s sculptural group Apollo and Daphne. Starting from the dynamic of this frozen scene, she creates a striking overall picture with music, song and acrobatics.
How do you facilitate a good discussion between opponents? The Agonistic Conversation was developed as a reaction to the philosopher Chantal Mouffe. She speaks about the importance of conflict in the political arena, and the way in which the Maori deal with conflict within their own community.
The American quantum physicist David Bohm takes as his premise the self-regulating way in which a group of people functions. You never think alone, but are always linked to the thinking of others. Thus a discussion is the ideal place in which to research and maintain the patterns of this collective thinking – without a moderator.
Hedwig Houben introduces three plaster characters: The Made, The Being and The Imitator. How do they relate to each other? How much do authenticity and originality really matter? Don’t we all learn through copying others?
What would hell look like today? The 500th anniversary of the death of Hieronymus Bosch, made Vasco Mendonça, Kris Verdonck and Dimitri Verhulst think. They quickly arrived at the beaches of Lampedusa: a place where while tourists were sunbathing refugees were washed up on the beach. The false paradise of the resorts and the Boschian hell on earth seamlessly flow into each other.
Forced Entertainment performs Shakespeare’s complete works in only six days. In 36 mini plays that are as funny and fascinating as they are accessible, the theatre pioneers demonstrate their impressive storytelling power yet again. The cast? Everyday home, garden, and kitchen objects. The stage? A one-metre table top.
Numerous Syrian gardens cover the bodies of demonstrators who took to the streets during the civil war. Gardens Speak shares the oral history of ten of these people, in the form of an interactive sound installation. Each story is carefully told in consultation with their family and friends.