How do we touch without touching one another? Four dancers explore the memory and the limits of the body and the mind’s connections. The spectator inhabits the same imaginative space as the performers and becomes part of an empathetic, imagined touch.

Since 2001 dancer and choreographer Trajal Harrell has created five wonderful performances in which he allows postmodern dance and the popular voguing dance style, both from the sixties, to sniff around each other. Antigone Sr. is the culminating work. Harrell examines the relationship between the voguing tradition and classical Greek theatre, in which men played both male and female roles.

PERFORMATIK 2015 DOUBLE BILL - Body Not Fit For Purpose is the first overtly political work of choreographer Jonathan Burrows and musician Matteo Fargion. Its starting point is the uselessness of dancing to express anything of any real concern and at the same time the inherent, gloriously foolish radicality of the attempt. With sequenza, artist Manon de Boer and violinist and composer George van Dam present a programme of live performances and films around four compositions for solo violin

A magical, sensual, almost psychedelic performance in which the bodies of the dancers, materials, light and sound play an equally important role. Nine dancers, as one strong community, enter into a confrontation with ropes, cables and high platforms in this first group choreography by the Swedish-Dutch choreographer Jefta van Dinther.

Welcome to the BAUER HOUR dance season! This season's second edition of Eleanor Bauer's variety show promises a walk & talk with dancer Chrysa Parkinson (Rosas, ZOO...), and musical accompaniment by Carlos Alberto Paniz Garbin. BAUER HOUR remains quality time that lasts just one hour.

Brian Eno’s song 'Golden Hours' is the point of departure for the new creation by Rosas. Anne Teresa De Keersmaeker continues to explore the perception of time in choreography, and approaches a cast of young dancers in their idiosyncratic movement expressions. Their speaking becomes their dancing.

Two dancers’ bodies and a violinist enclosed in a space designed by the visual artist Michel François. The violinist Amandine Beyer plays Bach’s Partita no. 2 for solo violin on the stage. Anne Teresa De Keersmaeker and Boris Charmatz seek to reinvent their dance in the instant: in between the labyrinthine lines of the living architecture of the music.

In the course of the year, Workspacebrussels, in association with the Kaaitheater, Rosas, Ultima Vez and Les Brigittines, supports a very wide range of artists in the development of their work or in research. Working Title Platform #08 presents a sample of the many projects that have been developed in recent months, but also creates an unparalleled meeting place where artists, arts professionals and the public can enter into dialogue with each other.

Workspacebrussels supports a wide range of artists in the development of their work or in research. Working Title Platform #08 presents a sample of the many projects that have been developed in recent months, and creates an unparalleled meeting place where artists, arts professionals and the public can enter into dialogue with each other.

Jan Decorte is creating his second piece of dance theatre. A meeting of four people, an extraordinary love story. No rigid grammar of dance, but the anarchy of movement, the faltering beauty of failure.

Choreographer Andros Zins-Browne and dancer Chrysa Parkinson reinterpret Swan Lake (Le Lac des Cygnes). The presence of the original narrative is no more than implicit. The end result is a holographic installation of a physical body that gradually disappears into its virtual double.