Burrows and Fargion offer a chance to see their 2014 Venice Biennale piece Body Not Fit For Purpose. It is an attempt to reconcile personal politics with the difficulty of saying anything of consequence in a dance performance, all the while revealing the strange permeability of dance to any message that it meets.

Technological developments lead to a potential new era, that of Technological Singularity. Sandy Williams creates a performance about the tension between our raw, flawed and incomplete human nature and the immaculate potential of a digitised future.

Ivo Dimchev continues his quest for interaction with you, the audience. He invites you to post Facebook-comments, which a dramaturge turns into dialogues. Not only do you literally supply what the actors are saying, you equally shape their views and opinions. The end result remains impossible to predict!

‘Food for the mind’, that is The Discreet Charm of Marxism. You will be served Marxist writings on the class struggle and revolution as a full six-course meal. In this conversation piece you eat, read and discuss with the other guests! Bring a hunger for ideas and good food.

What happens when a voice creates space and this space is filled with movement? ‘S approaches performance as a love relation. Between you, the performer and his materials.

Julian Hetzel explores a radical alternative use of money earmarked for culture. Starting point is the € 2.000 gift he received to develop a project. He donates that entire budget to a starving child in Africa. By transferring 1 euro each day, he effectively turns the gift into a ‘2000-day intercontinental performance’.

Combining words, music and movement, this melancholic and turbulent solo by the young Croatian dancer, choreographer and video director Matija Ferlin, cultivates the ambiguity of signs and plays on the oppositions between body and mind, the individual and history. Between the ghosts of the past and promises of the future, a young artist is seeking to be today. A revelation!

In this new lecture performance, Mette Ingvartsen
aims to create a virtual performance in the spectator’s mind. In word, gesture and physical action she voices ideas about artificial
nature, catastrophic constructions and the autonomy of objects.

In Black choreographer Mette Edvardsen – almost like a magician – tries to make several objects appear on stage. For Forecasting, Barbara Matijević converses 'physically' with images shown on her laptop. Two short presentations on how it is possible, on stage and using minimal resources, to evoke people and things that acquire a ‘life’ – however invisible – which the audience accepts. Enthralling!

Agency is working on a list of 'things'. The material consists of legal
disputes over intellectual property. At the Kaaistudio’s, Agency selects
two 'things' on the work of the American choreographers George
Balanchine and Martha Graham. Several witnesses and guests will answer:
Myriam Van Imschoot, Fabián Barba, Barbara Manzetti, Sara Jansen, Severine Dusollier, Christophe Jeannot a.o.