Philosopher Bruno Latour and theatre maker Frédérique Aït-Touati reflect on the relationship between human beings and their environment. Can we change our perception of the earth? No longer from a great distance, like a blue marble flying through space… But from the inside out, from the wafer-thin outer layer of the globe on which all life, human activity and resources are concentrated?

The 'H' in H, an incident refers to the life and work of the Russian writer Daniil Harms (or Charms). Harms was the author of a remarkable body of work. His humour and violence remind us of Monty Python. H, an incident is the first musical-theatre production by theatre-maker and visual artist Kris Verdonck.

Welcome to the Jungle is a performance installation inspired by ‘global weirding’, a term used to describe the effects of global warming. You make your way through a strange and desolate labyrinth of mirror foil and a sensory jungle that excites through its abundance of pseudo-natural stimuli. Like the performers, you are given a costume to wear. This adds to the confusion on the route. Who is the spectator?

PERFORMATIK2013 - On stage: a large white square, a table and three chairs. For each performance three new people take their place at the table. Like the audience they are in the dark as to what will happen. Step by step Zhana Ivanova gives the new extras precise instructions and so guides them through the performance.

PERFORMATIK2013 -
The artist Martin Creed (Turner Prize 2001) structures his Work No. 1020 Ballet using the five basic positions of classical ballet, numerical sequences and letters of the alphabet. All this appears to be an inexhaustible source of humour and creativity. Supported by poetic punk rock (live!), in passing Creed makes statements about composition, dance and life.

Schwalbe Speelt Op Eigen Kracht is a CO2-neutral production. All the energy needed for the performance is generated by the performers themselves. Schwalbe stands up to darkness, cold and cynicism with perseverance and boundless energy. And they have to cycle to appear in the spotlight.

How can you get out of your body? How long can you stay out of yourself …without losing it altogether? TALES OF THE BODILESS explores a condition that is hard to imagine : a world without human bodies.

There is no sign of God, but here and there we see dolls. Each of us is a character in someone else’s subjective reality. This is the thread running through We.art. dog.com. The performance is about nature and culture, death and life. Anyone who has ever seen Dimchev at work will know these are not just empty words.