Philosopher Bruno Latour and theatre maker Frédérique Aït-Touati reflect on the relationship between human beings and their environment. Can we change our perception of the earth? No longer from a great distance, like a blue marble flying through space… But from the inside out, from the wafer-thin outer layer of the globe on which all life, human activity and resources are concentrated?

Burning Ice - Flatbread Society is a public art project that brings together farmers, oven builders, astronomers, artists, soil scientists, bakers, anthropologists and others who share an interest in humankind’s long and complex relationship with grain.

WoWmen! - In Lifting Mountains with My Belly, or The Pregnancy Project, three heavily pregnant women talk about their experience of pregnancy. Three different views on what it’s like to have something in your belly, and what it’s like to be inside the belly of something bigger.

What happens when people come together, how do we relate to and in a group? This is the fundamental question in two productions by the choreographer and performer Ivana Müller. You can watch them both on the same evening. In the production In common you are the observer and in We are still watching you are the participant. A written script guides you through unexpected scenes and situations.

Fest is set in the context of an imaginary festival in Copenhagen. The main characters are the performer Ivo Dimchev, a programmer, a technician and a critic. What starts off as a realistic piece soon turns into a fantasy about sex and power. Dimchev’s performances leave the audience bewildered and/or elated!

Over the last few years, the Mechelen collective Abattoir Fermé has built up a strong repertoire that swings between dream, hallucination and nightmare. Snuff (Index 1) is the company’s first production for the large stage. It premieres at the Kaaitheater.

In his work with CREW, Eric Joris seeks a mixture of theatre and technology. EUX is based on the idea of the ‘doppelgänger’. Through the use of technological protheses, the visitor’s body is duplicated in a mirror image that appears to be more real than the ‘true image’. The project offers an ‘immersive’ experience for one person at a time. An ‘immersive’ experience.

Melting glaciers, burning forests, cities under water, screens and cameras spying on us, weapons of mass destruction... End starts out from the images the media project onto our retinas. The performance artist Kris Verdonck shows the possible final stages of a human society in ten scenes that are linked by a monologue by a speaking character (Johan Leysen).