Philosopher Bruno Latour and theatre maker Frédérique Aït-Touati reflect on the relationship between human beings and their environment. Can we change our perception of the earth? No longer from a great distance, like a blue marble flying through space… But from the inside out, from the wafer-thin outer layer of the globe on which all life, human activity and resources are concentrated?

Guided by headphones and holding a flashlight to illuminate the darkness of a big, empty and dormant theatre, you're cast as an 'extra' in what appears to be a dream-like rehearsal of powerlessness.

Ivo Dimchev continues his quest for interaction with you, the audience. He invites you to post Facebook-comments, which a dramaturge turns into dialogues. Not only do you literally supply what the actors are saying, you equally shape their views and opinions. The end result remains impossible to predict!

Jérôme Bel is a choreographer and dancer, but has for a long time also been a spectator. In Un spectateur he emerges as a superb storyteller and guides us through the visual experiences that taught him the performing arts ‘basics’ and which most influenced him as a spectator.

Stef Lernous, director with Abattoir Fermé, and the young composer Daan Janssens have been working with two young singers and two musicians on a study project based on the work of H.P. Lovecraft. The atmosphere is one of chaos, gloom, madness and ancient gods. Lovecraft is one of the ‘grandparents’ of modern science fiction and horror. His writing presented the prospect of a horrible world for mankind.

On the exact day of the centenary of publication of the Futurist Manifesto in Le Figaro, the director and multimedia artist Claudio Sinatti and the composer Black Fanfare/Demetrio Castellucci are presenting a project based on the poetics of Futurism to create something entirely new. The live-media performance will use present-day idioms and media to look at the hundred-year-old aesthetics of Futurism.

The choreographer Heine Avdal works together with various partners: dancers, musicians, a set designer, an olfactory artist, and so on. The space is given its own special atmosphere and form. The spectator is submerged in a variety of physical experiences, some of which you experience purely individually. A sensual total experience.

The Italian group Kinkaleri is made up of six artists. Their work ranges from theatre and dance, performances, installations and video-films to radio plays, musical compositions, publications, etc. Kinkaleri will stage three productions which together form a trilogy: My love for you will never die, <Otto> and I Cenci/Spettacolo. The title I Cenci/Spettacolo refers to Les Cenci, Antonin Artaud’s last play.  Kinkaleri’s main interest is not Artaud’s life, or what he wrote for and about theatre, but ‘the utopian, existential and philosophical tension between a maker and his work’.