Romance is an invitation to discover the recognition, repulsion and humor that is created when you allow someone else to be your voice. In an intimate setting, Lígia Soares makes us reflect on how we think as individuals within a group by using ordinary sentences to create connections between herself and audience members.  

For François Chaignaud, the starting point of his new creation is a recurring dream: imagining a community of singers and dancers who cross the boundaries between two disciplines. In this impressive choreography the bodies, like the letters of the title, are separate and united at the same time.

A rudimentary living room with IKEA furniture turns out to be a hotbed of terrible pain and suffering. This five-hour performance by two actors and a pianist is based on real statistics and court cases related to domestic violence. Without needing dialogue, Markus Öhrn dissects the banality and brutality of domestic violence.

Taking its title from the poem by Wallace Stevens, 13 Ways of Looking at a Blackbird is composed of a series of attempts of looking and being looked at. Apiyemiyekî? is a cinematographic portrait that departs from the archive Casa da Cultura de Urubu where over 3.000 drawings made by the Waimiri-Atroari, a people native to the Brazilian Amazon, during their first literacy excersises, are kept. During these literacy exercises, the most recurrent question posed by the Waimiri-Atroari was: why did Kamña (“the civilized”) killed Kiña (Waimiri-Atraori)? Apiyemiyekî? (Why?).