Does gender have a voice, does skin have a race? Using drag, vogueing, striptease, YouTube tutorials as well as the triadic ballet by Oskar Schlemmer, seven bodies and many more objects try out new constellations, like surrealist ready-mades. With a great sense of irony, Escape Act presents hyper-stereotyped gender identities, only to deconstruct them completely.

Ivo Dimchev is presenting a live and danced version of his first studio album, Sculptures. His sense of musicality and exceptional voice have always been central to his performances, but over the last two years he has definitively chosen the path of music. His breath-taking voice brings the dark poetry of his texts to the fore and ensures a terrifying and deeply moving experience.

In In Many Hands, artist-in-residence Kate McIntosh explores tactility. She invites you to test and to touch, but also to listen and to smell. Along with other visitors, but without speaking, you will experiment with materials in a series of sensorial ‘situations’. In Many Hands is part laboratory, part expedition, part meditation: follow your nose and your curiosity!

Along with unpractised singers, Myriam Van Imschoot and Willem de Wolf are exploring the rehearsal process of a choral production. The misses, repetitions and mistakes that occur in the process form the performance material of this production. Because people are at their most vulnerable when they can’t (yet) do what they most desire.