Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

Radouan Mriziga explores polyrhythm, a bass rhythm in African music. By looking for the social equivalent of this unusual harmony, this exercise for two dancers reminds us of the necessity and value of difference in the creative process.

In his latest performance, Benjamin Vandewalle is again accompanying you into the city. He takes the lead in a series of purposeful actions: some are banal, while others are completely unconventional. You leave as a group of individuals and gradually transform into one collective body.