The first talk shows aired in the 1950s and they have determined the evening rhythm in many living rooms ever since. But the invention of the internet has definitively pushed the format into decline. In TALK SHOW, Suze Milius bids them farewell. It is both a retrospective and a look ahead into the future, an attempt to ascribe value to everything that gradually disappears, and an ode to the details of our existence.

In their search for Arabic literature, tg STAN sought and found allies at the Nomadic Arts Centre Moussem, and among the theatremakers of Kloppend Hert, the company led by Haider Al Timimi. Eight performers go in search of answers to questions that are essential to them, in a cross-border space where multiple influences can blend into one whole. But it begins at the beginning: an open forum and conversation.

Does gender have a voice, does skin have a race? Using drag, vogueing, striptease, YouTube tutorials as well as the triadic ballet by Oskar Schlemmer, seven bodies and many more objects try out new constellations, like surrealist ready-mades. With a great sense of irony, Escape Act presents hyper-stereotyped gender identities, only to deconstruct them completely.

A young woman in a city that has been occupied for decades. On the day of her father’s funeral, she discovers his architectural drawings. Broken Shapes is a hybrid theatrical experience between installation, video and performance that explores how physical surroundings affect us mentally. Onstage we see one actress, her words are supported and interrupted by the visual interventions around her.

For this ‘remake’ of Iemand van ons (2005), Tristero has mobilized a seasoned cast with plenty of life experience. Reinhilde Decleir, Mark Verstraete, Janine Bischops, Bob De Moor, Kristin Arras and Kris Smet all get into a big bed together and talk about politics, love and life. With a great sense of humour, they ask one another personal questions, listen, toss and turn on the bed, and reveal their inner selves.