Over the years, Christodoulos Panayiotou has compiled an archive on the ways in which fiction can escape mortality and finitude. From Dalida's most tragic songs to Michael Jackson’s urge to perform one last time. He presents this archive in Dying on Stage. He combines the precision of a lecture with the indeterminacy of night-time internet surfing.

Jonathan Burrows, dancer and choreographer. Matteo Fargion, musician and composer. Always the two of them… but not this time! They invite four local artists – Mette Edvardsen, Dounia Mahammed, Lili Rampre and Andros Zins-Browne – to address the subject of ‘the possibility and impossibility of community’. The ingredients? 72 clay objects created by the performers, group singing and Indian drone sounds on smartphones.

Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

Gallop. Biography of a Body tells the bizarre story of the life cycle of a body. Dolores Bouckaert’s co-star in this solo is – via film and audio – a fast and powerful horse. The two are one another’s opposites until they become interchangeable, when the horse’s gallop coincides with the rhythm of her heartbeat.

Cock, Cock… Who's There? is an unsettling and gripping report by a young woman who researches intimacy and violence. Armed with her camera, Samira Elagoz sheds light on the online manipulation of bodies, while cleverly subverting typical gender dynamics on the internet.

Benoît Lachambre again asks you to listen to your senses and genuinely to experience the consciousness of your body. Borders between dance and movement gradually blur when a glance, a movement, or the touch of someone in the audience continues to resonate in the choreography.