The intention behind nothing’s for something is to make the
hidden moments in life visible and expose the reality behind the visible
world. Their sources of inspiration are Paul Klee, who danced while he
painted, Rainer Maria Rilke, the perfectionist of form and method, and
Georges Perec, the master of stories of everyday life. In nothing’s for something,
Avdal and Shinozaki go back to their roots and allow the experiences of
their site-specific projects to permeate this production for larger
theatres.
