To close the season, the occasional collective Lucinda Ra is organizing an open studio for three days. You are free to come in and out, join the conversations, or just to listen and watch the music, animated films, short presentations, and visual work. The kitchen – which forms the heart of the project – will be open throughout and is free. You can contribute your own ingredients: a ticket for Grondwerk costs 250 grams of food.

July 1968. The legendary Paradise Now by The Living Theatre premieres at the Festival d’Avignon. The actors attempted to unleash a revolution by getting the audience into a state of readiness. Half a century later, Michiel Vandevelde is exploring the vestiges of the legacy of May ’68. Will new future perspectives open up when thirteen young people survey a half century of history in a wild choreography of iconic images?

Over the years, Christodoulos Panayiotou has compiled an archive on the ways in which fiction can escape mortality and finitude. From Dalida's most tragic songs to Michael Jackson’s urge to perform one last time. He presents this archive in Dying on Stage. He combines the precision of a lecture with the indeterminacy of night-time internet surfing.

Jonathan Burrows, dancer and choreographer. Matteo Fargion, musician and composer. Always the two of them… but not this time! They invite four local artists – Mette Edvardsen, Dounia Mahammed, Lili Rampre and Andros Zins-Browne – to address the subject of ‘the possibility and impossibility of community’. The ingredients? 72 clay objects created by the performers, group singing and Indian drone sounds on smartphones.