Alexis Blake selected a series of female poses found in artworks from the Renaissance to early Modernism and created a choreography and performance that explores subjectivity and examines gender and representation through embodiment, repetition and sound. Two dancers and four musicians in the Horta Hall at BOZAR will abstract the poses, strip them of their history and context, and confront the viewer to address, contradict and question preconceived notions of a body. 

Pieter Van den Bosch is literally empowering the opening of the Yves Klein exhibition with a performance tailor-made to Bozar. Just before you enter the exhibition, you witness an event: with paint and explosives, Klein’s heritage becomes a modus operandi for today.