With Dance # 2 Christine De Smedt and Eszter Salamon continue to build on Dance # 1 / Driftworks. The first part – listening & mouthing – was inspired by Inuit throat-singing duets. In part two – words & gestures – a dialogue develops in which syllables and words become attached to movements. What does a choreography look like when it resembles a ping-pong game of question and answer?

Box with holes seeks to explore the relationship between touch and its visualisation. How do we see and experience inter- human interaction in a world where we contact each other more and more through technology?
Box with holes focuses on a displacement of the senses, which places the spectator into another mental state.

You see a robot trying to stand upright. It always falls over again, but does not give up. It cheerfully and indefatigably undergoes the process of trial and error, falling over and picking itself up again.

A rain of ash floats down onto a musician and his instrument. Its impact on the musician and his music slowly becomes visible. Sound and vision gradually transform – until finally everything judders to a halt. How does ‘little’ man relate to the ‘grandeur’ of the universe?

Young theatre maker Orion Maxted builds a performance machine. Humans take the role of the different machine parts – applying a simple algorhythm, they transform each other’s words and gestures into complex structures.

Imminent climatological, political and ideological tipping points raise the question: are we literally ‘falling out of history’? Philosopher/activist Lieven De Cauter talks with philosopher Isabelle Stengers.

KAOS sent the Brussels artists Anne Daems and Voebe de Gruyter to Het Vijfde Seizoen, a Dutch artist's residence. At the same time, Het Vijfde Seizoen sent its former resident Milou Abel to Brussels. The work these three artists created – a combination of photos, video, installation and drawing – are now on display in the foyer at the Kaaitheater.

This – unexpectedly current – rerun from 2008 shows Paris from the perspective of the artist-immigrant. During the 20th century countless people took refuge in the French capital, including many artists and intellectuals. Just as likely, they ended up working as taxi drivers or street cleaners. Christian Bakalov’s depictions of their social exclusion and humiliation urge you to question your own feelings of empathy and solidarity.

‘Food for thought’, that is The Discreet Charm of Marxism. Marxist texts on the class struggle and revolution are staged as a six-course meal. In the meantime real food and drink are served, as ‘books’. No one will go hungry!

What if scenography becomes the starting point from where a story unfolds? Meryem Bayram developed a series of pure and basic forms made from cardboard, that transform from an apparently empty and flat surface into a whole repertory of evocative scenic elements.

In Still Animals, Tuur Marinus brings the famous photographic studies of Eadweard Muybridge to life. Naked human bodies that are subtly manipulated by camouflaged performers, perform iconic series like the jumping cat or the flying pigeon.